u003cbu003eFrom the author of u003ciu003eBunnyu003c/iu003e, which Margaret Atwood hails as “genius,” comes a “wild, and exhilarating” (Lauren Groff) novel about a theater professor who is convinced staging Shakespeare’s most maligned play will remedy all that ails her—but at what cost?u003c/bu003eu003cbru003eu003cbru003eMiranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now, she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s u003ciu003eAll’s Well That Ends Wellu003c/iu003e, the play that promised and cost her everything, she faces a mutinous cast hellbent on staging u003ciu003eMacbethu003c/iu003e instead. Miranda sees her chance at redemption slip through her fingers.u003cbru003e u003cbru003eThat’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible doubted pain that’s kept her from the spotlight is made known.u003cbru003e u003cbru003eWith prose Margaret Atwood has described as “no punches pulled, no hilarities dodged…genius,” Mona Awad has concocted her most potent, subversive novel yet. u003ciu003eAll’s Wellu003c/iu003e is a “fabulous novel” (Mary Karr) about a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.
